{"id":1521,"date":"2025-07-22T14:59:22","date_gmt":"2025-07-22T12:59:22","guid":{"rendered":"https:\/\/projects.madineurope.eu\/craeft-community\/?p=1521"},"modified":"2025-07-22T15:10:57","modified_gmt":"2025-07-22T13:10:57","slug":"traditional-craftsmanship-of-cini-making","status":"publish","type":"post","link":"https:\/\/projects.madineurope.eu\/craeft-community\/traditional-craftsmanship-of-cini-making\/","title":{"rendered":"Traditional Craftsmanship of \u00c7ini-Making"},"content":{"rendered":"\t\t
\u00c7ini are traditional, handmade glazed tiles and ceramics made in Turkey, featuring colourful motifs of plants, animals, and geometric patterns. These tiles are often seen on building facades and in homes throughout the country, adding vibrant beauty to everyday life.<\/p>
\u00c7ini-making, the art of creating these decorative pieces, has deep roots in Turkish culture, especially in regions like \u0130znik and K\u00fctahya. For centuries, \u00c7ini tiles have been used to adorn mosques, palaces, and homes, showcasing both artistic skill and cultural identity.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\tNurhan Atasoy & Julian Raby: Iznik, The Pottery of Ottoman Turkey, 1994 edition (2006, December 16). Photo by: Dosseman<\/a>. Available at: https:\/\/tinyurl.com\/9k8fbe9w<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Materials and Techniques<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t The process starts with a special clay made from quartz. Artisans shape the clay, fire it at high temperatures, and then hand-paint the designs using natural pigments. These colourful patterns are sealed with a final firing, giving the tiles their long-lasting shine and brilliance.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t A Key Element of Ottoman Art<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t \u00c7ini tiles have been a major part of Ottoman architecture, decorating the interiors and exteriors of many historic buildings. Beyond their decorative function, they reflect the artistic vision and cultural values of the era.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Passing Down the Tradition<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t The knowledge and techniques of \u00c7ini-making are passed on through:<\/p> Why UNESCO Recognition Matters<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t \u00c7ini-making is listed on UNESCO\u2019s Representative List of the Intangible Cultural Heritage of Humanity. This recognition:<\/p> \u00c7ini-making is a proud part of Turkey\u2019s cultural heritage. It connects the past with the present through beauty, skill, and meaning. Thanks to both local efforts and UNESCO recognition, this craft continues to live, teaching and inspiring new generations, and sharing Turkish creativity with the world.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":" \u00c7ini are traditional, handmade glazed tiles and ceramics made in Turkey, featuring colourful motifs of plants, animals, and geometric patterns. These tiles are often seen on building facades and in homes throughout the country, adding vibrant beauty to everyday life. \u00c7ini-making, the art of creating these decorative pieces, has deep roots in Turkish culture, especially […]<\/p>\n","protected":false},"author":16,"featured_media":1522,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[4,7],"tags":[],"class_list":["post-1521","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-authenticity-and-safeguard","category-documentation-and-archiving"],"_links":{"self":[{"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/posts\/1521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/comments?post=1521"}],"version-history":[{"count":4,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/posts\/1521\/revisions"}],"predecessor-version":[{"id":1528,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/posts\/1521\/revisions\/1528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/media\/1522"}],"wp:attachment":[{"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/media?parent=1521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/categories?post=1521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/tags?post=1521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}