{"id":1141,"date":"2025-04-14T11:29:47","date_gmt":"2025-04-14T09:29:47","guid":{"rendered":"https:\/\/projects.madineurope.eu\/craeft-community\/?p=1141"},"modified":"2025-05-15T20:45:56","modified_gmt":"2025-05-15T18:45:56","slug":"woodcarving-in-yecla-a-documented-legacy","status":"publish","type":"post","link":"https:\/\/projects.madineurope.eu\/craeft-community\/woodcarving-in-yecla-a-documented-legacy\/","title":{"rendered":"Woodcarving in Yecla: A documented legacy"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1141\" class=\"elementor elementor-1141\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-df9369a e-flex e-con-boxed e-con e-parent\" data-id=\"df9369a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-297d69e elementor-widget elementor-widget-text-editor\" data-id=\"297d69e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em><strong>Topics for discussion:<\/strong><\/em><\/p><ul><li><b>How can communities better preserve and promote their artisanal heritage in the face of globalisation and digitalisation?\u00a0<\/b><\/li><li><strong>Can tourism be an effective way to promote local crafts and support craft professionals, or does it risk commercialising and turning traditions into commodities?<\/strong><\/li><li><b>Do you know of other towns or regions where crafts like woodcarving have helped shape local identity or industry? Share your thoughts!<\/b><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-acd054e e-flex e-con-boxed e-con e-parent\" data-id=\"acd054e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-005fa14 elementor-widget elementor-widget-text-editor\" data-id=\"005fa14\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Woodcarving has played a key role in the development of Yecla\u2019s furniture industry. More than a decorative technique, it has become a subject of study, memory, and cultural reflection. Over the years, researchers, journalists, and cultural institutions have contributed to documenting this craft, allowing us to understand not only the art of woodcarving itself, but also the social, economic, and cultural context that shaped it in the town of Yecla.<\/span><\/p><p><span style=\"font-weight: 400\">The bibliography on woodcarving in Yecla, although relatively limited, is rich in nuance and diverse in origin. It combines historical studies, biographical accounts, opinion articles, and documents tied to industrial analysis.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-659c1c3 elementor-widget elementor-widget-heading\" data-id=\"659c1c3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Key historical and technical studies<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5e8a21 elementor-widget elementor-widget-text-editor\" data-id=\"b5e8a21\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">One of the most solid references is the publication <\/span><i><span style=\"font-weight: 400\">Carpentry and Cabinetmaking in Yecla. Notes for a History<\/span><\/i><span style=\"font-weight: 400\"> [1], developed by the Yecla Archaeological Museum in 2016. This work offers a broad overview of the evolution of woodworking trades, including references to carving as part of cabinetmaking. Its value lies in its long-term perspective, from traditional craftsmanship to industrial transformation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c8171d3 e-flex e-con-boxed e-con e-parent\" data-id=\"c8171d3\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cb5f837 elementor-widget elementor-widget-image\" data-id=\"cb5f837\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"518\" height=\"737\" src=\"https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-1.png\" class=\"attachment-large size-large wp-image-1162\" alt=\"\" srcset=\"https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-1.png 518w, https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-1-211x300.png 211w\" sizes=\"(max-width: 518px) 100vw, 518px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e98d483 elementor-widget elementor-widget-text-editor\" data-id=\"e98d483\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><i><span style=\"font-weight: 400\">Image of \u201cCarpentry and Cabinetmaking in Yecla. Notes for a History\u201d.<\/span><\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-df06f65 elementor-widget elementor-widget-text-editor\" data-id=\"df06f65\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Also worth highlighting is the monograph by Edmundo Palop, The Origin and Evolution of Furniture in Yecla (1908\u20131968) [2], which remains the most thorough and systematic study to date. Adopting a historical and technical lens, Palop dedicates a specific section to the development of carved furniture, analyzing the influence of Valencian carvers in Yecla, workshop organization, training methods, and the role of the carver within the broader furniture-making process. It is a key reference to understand how carving became part of the industrial fabric without losing its artisanal identity.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c886731 elementor-widget elementor-widget-image\" data-id=\"c886731\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"581\" height=\"580\" src=\"https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-2.png\" class=\"attachment-large size-large wp-image-1163\" alt=\"\" srcset=\"https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-2.png 581w, https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-2-300x300.png 300w, https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-2-150x150.png 150w\" sizes=\"(max-width: 581px) 100vw, 581px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f906a47 elementor-widget elementor-widget-text-editor\" data-id=\"f906a47\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><i><span style=\"font-weight: 400\">Portrait of \u201cThe Origin and Evolution of Furniture in Yecla (1908\u20131968)&#8221;.<\/span><\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b63c22c elementor-widget elementor-widget-heading\" data-id=\"b63c22c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Carving as personal and collective memory<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a44eefc elementor-widget elementor-widget-text-editor\" data-id=\"a44eefc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">The recognition of carving as a form of artistic expression is also reflected in works that document the lives and legacies of Yecla\u2019s master carvers. The book <\/span><i><span style=\"font-weight: 400\">Pedro Ortega, Sculptor and Woodcarver<\/span><\/i><span style=\"font-weight: 400\"> (2007) [3] explores the career of one of Yecla\u2019s most prominent artisans, known for his religious and ornamental carvings. Likewise, <\/span><i><span style=\"font-weight: 400\">Remembering a Yeclano: The Sculptor Jos\u00e9 Antonio L\u00f3pez Palao<\/span><\/i><span style=\"font-weight: 400\"> (1989) [4], a chapter included in <\/span><i><span style=\"font-weight: 400\">Yecla: People, Trades, and Traditions<\/span><\/i><span style=\"font-weight: 400\">, offers a detailed account of another local figure, treating woodcarving as an intimate art deeply connected to the artist\u2019s identity and sensibility.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a30b653 elementor-widget elementor-widget-image\" data-id=\"a30b653\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"696\" src=\"https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-3.png\" class=\"attachment-large size-large wp-image-1164\" alt=\"\" srcset=\"https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-3.png 825w, https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-3-300x261.png 300w, https:\/\/projects.madineurope.eu\/craeft-community\/wp-content\/uploads\/sites\/14\/2025\/04\/Figure-3-768x668.png 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5148e58 elementor-widget elementor-widget-text-editor\" data-id=\"5148e58\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><i><span style=\"font-weight: 400\">Image of \u201c Pedro Ortega, Sculptor and Woodcarver\u201d.<\/span><\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c48ce02 elementor-widget elementor-widget-text-editor\" data-id=\"c48ce02\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">On another level, the report <\/span><i><span style=\"font-weight: 400\">SWOT Analysis of the Furniture Industry in Yecla Facing Global Economic Challenges<\/span><\/i><span style=\"font-weight: 400\"> (2016) [5] offers a strategic look at the current sector. While it doesn\u2019t focus directly on carving, it does highlight important figures from Yecla\u2019s carving world, such as Rafael Luis Azor\u00edn Fern\u00e1ndez and Pedro Chinchilla Candela.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5d2b003 elementor-widget elementor-widget-heading\" data-id=\"5d2b003\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Contemporary reflections<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5d0227 elementor-widget elementor-widget-text-editor\" data-id=\"b5d0227\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">In recent years, the debate surrounding the conservation and promotion of Yecla\u2019s woodworking heritage has grown. A notable example is the article <\/span><i><span style=\"font-weight: 400\">In Industrial Yecla, a Furniture Museum Is Missing<\/span><\/i><span style=\"font-weight: 400\"> [6], which offers a critical reflection on the absence of an institutional space to preserve and promote this legacy, despite the economic and cultural importance of the furniture industry\u2014of which woodcarving is an essential part.<\/span><\/p><p><span style=\"font-weight: 400\">Other articles, such as <\/span><i><span style=\"font-weight: 400\">Furniture Appeared in Yecla Alongside Wine in the 19th Century<\/span><\/i><span style=\"font-weight: 400\"> [7], link the development of carving to broader processes: the rise of modern industry, the challenges of globalization, and the opportunity to reclaim traditional crafts as added value in today\u2019s market.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2cffe02 elementor-widget elementor-widget-heading\" data-id=\"2cffe02\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">The Yecla Furniture Fair as a cultural platform<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6b3f402 elementor-widget elementor-widget-text-editor\" data-id=\"6b3f402\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Lastly, both the official website of the Yecla Furniture Fair [8] and the local tourism office [9] offer valuable insights into how carving, as a symbol of artisanal know-how, continues to play a role in the identity of the local industry. Though centered around the trade fair, this documentation helps illustrate how carved finishes and craftsmanship have contributed to positioning Yecla within the national furniture landscape.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-104b80e elementor-widget elementor-widget-heading\" data-id=\"104b80e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Conclusion: preserving heritage through documentation<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c67f814 elementor-widget elementor-widget-text-editor\" data-id=\"c67f814\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">The bibliography on woodcarving in Yecla is varied and each piece contributes valuable insight into a craft that helped shape an industry and a tradition of skilled artisans. This diversity offers a comprehensive perspective, framing carving not only as a technique but as a fundamental element in the evolution of Yecla\u2019s furniture identity.<\/span><\/p><p><span style=\"font-weight: 400\">Moreover, documenting traditional crafts like woodcarving is essential, not only to preserve historical memory, but also to inspire future generations. In a time when industrial processes and digital fabrication dominate production, these records remind us of the cultural, artistic, and human values embedded in manual craftsmanship. By capturing the stories, techniques, and contexts behind these skills, we ensure they remain alive and relevant in contemporary discussions around heritage, sustainability, and local identity.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c6463eb elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"c6463eb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0a4d644 elementor-widget elementor-widget-text-editor\" data-id=\"0a4d644\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>References<\/b><\/p><p><span style=\"font-weight: 400\">[1] Museo Arqueol\u00f3gico de Yecla. 2016. <\/span><i><span style=\"font-weight: 400\">Carpentry and Cabinetmaking in Yecla. Notes for a History<\/span><\/i><span style=\"font-weight: 400\">. <\/span><a href=\"https:\/\/museoarqueologicodeyecla.org\/wp-content\/uploads\/2016\/05\/Carpinter%C3%ADa-y-ebanister%C3%ADa-en-Yecla-Murcia-apuntes-para-una-historia.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Link<\/span><span style=\"font-weight: 400\"><br \/><\/span><\/a><span style=\"font-weight: 400\">[2] Palop, Edmundo. 2002. <\/span><i><span style=\"font-weight: 400\">The Origin and Evolution of Furniture in Yecla (1908\u20131968)<\/span><\/i><span style=\"font-weight: 400\"><br \/><\/span><span style=\"font-weight: 400\">[3] Ayuntamiento de Yecla. 2007. <\/span><i><span style=\"font-weight: 400\">Pedro Ortega, Sculptor and Woodcarver<\/span><\/i><span style=\"font-weight: 400\"><br \/><\/span><span style=\"font-weight: 400\">[4] Puche Forte, Jos\u00e9. 1989. <\/span><i><span style=\"font-weight: 400\">The Sculptor Jos\u00e9 Antonio L\u00f3pez Palao<\/span><\/i><span style=\"font-weight: 400\">. In: <\/span><i><span style=\"font-weight: 400\">Yecla: People, Trades, and Traditions<\/span><\/i><span style=\"font-weight: 400\"><br \/><\/span><span style=\"font-weight: 400\">[5] Morales Yago, Francisco Jos\u00e9. 2016. <\/span><i><span style=\"font-weight: 400\">SWOT Analysis of the Furniture Industry in Yecla Facing Global Economic Challenges<\/span><\/i><span style=\"font-weight: 400\">. <\/span><a href=\"https:\/\/museoarqueologicodeyecla.org\/wp-content\/uploads\/2016\/05\/Aplicaci%C3%B3n-del-an%C3%A1lisis-DAFO-en-la-industria-del-mueble-de-Yecla-ante-los-desaf%C3%ADos-de-la-econom%C3%ADa-globalizada.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Link<\/span><span style=\"font-weight: 400\"><br \/><\/span><\/a><span style=\"font-weight: 400\">[6] Siete D\u00edas Yecla. 2023. <\/span><i><span style=\"font-weight: 400\">In Industrial Yecla, a Furniture Museum Is Missing<\/span><\/i><span style=\"font-weight: 400\">. <\/span><a href=\"https:\/\/www.sietediasyecla.com\/2023\/02\/25\/en-la-yecla-industrial-de-la-madera-se-echa-en-falta-un-museo-del-mueble\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Link<\/span><span style=\"font-weight: 400\"><br \/><\/span><\/a><span style=\"font-weight: 400\">[7] Murcia Econom\u00eda. 2013. <\/span><i><span style=\"font-weight: 400\">Furniture Appeared in Yecla Alongside Wine in the 19th Century<\/span><\/i><span style=\"font-weight: 400\">. <\/span><a href=\"https:\/\/murciaeconomia.com\/archive\/14979\/el-mueble-aparecio-en-yecla-con-el-vino-en-el-siglo-xix\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Link<\/span><span style=\"font-weight: 400\"><br \/><\/span><\/a><span style=\"font-weight: 400\">[8] <\/span><i><span style=\"font-weight: 400\">Yecla Furniture Fair<\/span><\/i><span style=\"font-weight: 400\">. <\/span><a href=\"https:\/\/en.feriayecla.com\/yff-history\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Link<\/span><span style=\"font-weight: 400\"><br \/><\/span><\/a><span style=\"font-weight: 400\">[9] Turismo Yecla. <\/span><i><span style=\"font-weight: 400\">Yecla Furniture Fair<\/span><\/i><span style=\"font-weight: 400\">. <\/span><a href=\"https:\/\/turismo.yecla.es\/portfolio\/eventos\/feria-del-mueble\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Link<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Topics for discussion: How can communities better preserve and promote their artisanal heritage in the face of globalisation and digitalisation?\u00a0 Can tourism be an effective way to promote local crafts and support craft professionals, or does it risk commercialising and turning traditions into commodities? Do you know of other towns or regions where crafts like [&hellip;]<\/p>\n","protected":false},"author":25,"featured_media":1177,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1141","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentation-and-archiving"],"_links":{"self":[{"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/posts\/1141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/comments?post=1141"}],"version-history":[{"count":28,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/posts\/1141\/revisions"}],"predecessor-version":[{"id":1374,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/posts\/1141\/revisions\/1374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/media\/1177"}],"wp:attachment":[{"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/media?parent=1141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/categories?post=1141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.madineurope.eu\/craeft-community\/wp-json\/wp\/v2\/tags?post=1141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}