Jelena Krivokapic
First Name
Jelena
Last Name
Krivokapic
Terms & Conditions
Yes
Country
Serbia
Biographical Info
Assistant Coordinator for European Projects at Mad'in Europe, based in Belgrade, Serbia. I have been part of the Mad'in Europe team for three years, gaining extensive knowledge of the craft sector and working on various crafts oriented projects. Holding a BA in Architecture and an MA in World Heritage Studies. I previously interned with US/ICOMOS and Europa Nostra and worked as a Research Assistant at the Chair of Architectural Conservation at Brandenburg University of Technology Cottbus-Senftenberg, Cottbus, Germany.
Company
Mad'in Europe
6 months ago no Comment

The Aubusson textile industry, centred on the towns of Aubusson and Felletin in France’s Creuse region, owes its success and distinctiveness to a dense network of know-how concentrated in this small territory, where intricate crafts complement one another in the making and preservation of tapestries. This collaborative mindset fosters a favourable working environment—one that stimulates […]

6 months ago no Comment

The wool industry in France’s Creuse region is vital to the Aubusson tapestry manufactories and workshops, supplying the raw material that weavers need to create their pieces. While farmers provide the raw wool fibres, a series of subsequent processes transforms them into yarns suitable for weaving, resulting in a complex production chain that draws on […]

2 years ago 3 Comments

Topics for discussion: How can ego-centric recordings contribute to the preservation and transmission of craft knowledge? Do these perspectives help make complex gestures more understandable for apprentices or enthusiasts? What other craft skills or activities could benefit from such recordings? Silversmithing is the art of shaping silver into objects through techniques like hammering, casting, engraving, […]

2 years ago 1 Comment

Topics for discussion: Do you think that Creaft Ethnographic Protocol could be applied for crafts documentation? What could be the benefits of it? Could this documentation methodology enhance the current approach to documenting crafts? For example, in the  context of the UNESCO’s inscription process for Intangible Cultural Heritage of Humanity? Capturing Glassblowers’ Gestures: Unlocking Craft […]

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