{"id":390,"date":"2025-05-26T16:03:36","date_gmt":"2025-05-26T14:03:36","guid":{"rendered":"https:\/\/projects.madineurope.eu\/bricks\/?page_id=390"},"modified":"2025-09-16T12:01:02","modified_gmt":"2025-09-16T10:01:02","slug":"study-visit-georgia","status":"publish","type":"page","link":"https:\/\/projects.madineurope.eu\/bricks\/study-visit-georgia\/","title":{"rendered":"Study Visit Georgia"},"content":{"rendered":"\t\t
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Non-formal education in action: between innovation and tradition<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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In July 2025, the BRICKS project travelled to Tbilisi, Georgia, for its second study visit,\u00a0 a three-day immersion into the realities, challenges, and opportunities of non-formal craft education.<\/p>

Building on the groundwork laid during the first session in Gda\u0144sk, Poland, the Georgian visit marked a significant step forward: shifting from identifying shared concerns to co-developing concrete, actionable solutions that can support systemic change across Europe.<\/p>

This gathering brought together a diverse group of artisans, educators, researchers, cultural institutions, and policy stakeholders from multiple countries. Together, they explored how non-formal craft education, often deeply embedded in communities, passed down through generations, and adapted to local realities, can be made more visible, better supported, and more widely recognised.<\/p>

Rather than imposing top-down models, the focus remained on listening to lived experiences, analysing national and European certification frameworks, and collaboratively shaping future strategies that reflect the real needs of craft practitioners.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Day 1 : Sharing practices & systems<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The first day set the stage with presentations from participants and partners<\/strong>, each showcasing a national or local initiative. Georgian participants introduced projects such as:
\u2714\ufe0f The Georgian Heritage Crafts Association<\/a>, promoting endangered crafts and youth engagement
\u2714\ufe0f The Educational Gallery of Crafts in Gori, offering free courses to children and unemployed women
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Kettari Academy<\/a>, delivering short, market-oriented courses in batik and ceramics<\/p>

Other participants shared their experiences from Italy, Poland, and Belgium, focusing on education through practice, cultural identity, and how informal learning can still support professional development. A core theme emerged: craftspeople are often educators, but rarely recognised as such<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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This led into a deep dive into certification systems, where the BRICKS group explored multiple models:<\/p>

\ud83d\udfe2 France\u2019s Qualiopi scheme<\/a><\/strong> \u2013 A flexible quality certification that allows artisans to offer funded, recognised training, even without formal teaching diplomas. It bridges the gap between grassroots learning and institutional validation, making workshop-based teaching more credible and accessible.<\/p>

\ud83d\udfe2 Belgium\u2019s IFAPME system<\/a><\/strong> \u2013 A dual training model that links artisan-led workshops with formal centres, allowing adult learners to train directly with masters. While rich in practice, it faces limitations in trainer compensation and recognition for rare crafts.<\/p>

\ud83d\udfe2 Micro-credentials<\/a> & digital badges<\/a><\/strong> (EU level) \u2013 Flexible tools to validate small units of learning, workshop-based experience, or even soft skills,\u00a0 especially relevant in the fragmented landscape of craft education. These digital tools show potential for making lifelong learning visible and portable across contexts.<\/p>

Each system showed how non-formal education can be structured, funded, and validated, when supported by policy coordination, quality assurance, and inclusive pathways<\/strong>. They also revealed a shared ambition across Europe: to recognise craft transmission as legitimate education \u2014 not secondary to formal schooling, but complementary and essential.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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